TheÂ First Law of Fanfiction states thatÂ every change which strengthens the protagonists requires a corresponding worsening of their challenges. [â€¦]Â stories are about conflict; a hero too strong for their conflict is no longer in tense, heart-pounding difficulty. [â€¦]
TheÂ Rationalist Fanfiction Principle states thatÂ rationality is not magic; being rational does not require magical potential or royal bloodlines or even amazing gadgets, and the principles of rationality work for understandable reasons.
That’s Eliezer Yudkowsky in an introduction to his acclaimed Harry Potter fan fiction,Â Harry Potter and the Methods of Rationality.
The piece of “serial fiction” looks at cognitive science and rationality in a Harry Potter-type world where Harry, having been raised by a scientist stepfather, is a rationalist, enteringÂ the wizarding world “armed with Enlightenment ideals and the experimental spirit.”
Currently 63 chapters long–including chapters such as A Day of Very Low Probability, The Stanford Prison Experiment, The Unknown and the Unknowable and Title Redacted, Part I–the Methods is a fantastic read.
There’s a “book-style” PDF available, ePUB and MOBI versions for those on e‑readers, and a great TV Tropes entry. You can find more resources on the unofficial homepage, hpmor.com.
Although listen to Eliezer when he says “This fic is widely considered to have really hit its stride starting at around Chapter 5. If you still don’t like it after Chapter 10, give up”.
via Hacker News
The information consumption habits of many in the younger generations–one feature of the ‘Internet information culture’–has many merits, despite its many detractors. So says Ban Casnocha in an article for The American that acts as both a review of Tyler Cowen’s Create Your Own Economy and a fairly positive and comprehensive overview of the “bit culture” and its affects on attention and learning.
Casnocha begins with a look at his own media consumption habits (that closely mirrors mine and, no doubt, many of yours, too) and a couple of theories for explaining this style:
The first is economic: when culture is free and a click away, as it is on blogs and Twitter and the broader Internet, we sample broadly and consume it in smaller chunks: “When access is easy, we tend to favor the short, the sweet, and the bitty. When access is difficult, we tend to look for large-scale productions, extravaganzas, and masterpieces,” [â€¦]
The second reason is the intellectual and emotional stimulation we experience by assembling a custom stream of bits. Cowen refers to this process as the “daily self-assembly of synthetic experiences.” My inputs appear a chaotic jumble of scattered information but to me they touch all my interest points. When I consume them as a blend, I see all-important connections between the different intellectual narratives I follow [â€¦]
When skeptics make sweeping negative claims about how the Web affects cognition, they are forgetting the people whose natural tendencies and strengths blossom in an information-rich environment. Cowen’s overriding point, delivered in a “can’t we all just get along” spirit, is that everyone processes the stimuli of the world differently. Everyone deploys attention in their own way. We should embrace the new toolsâ€”even if we do not personally benefitâ€” that allow the infovores among us to perform tasks effectively and acquire knowledge rapidly.
For book recommendations, most of us rely on the suggestions of trusted friends and on word of mouth. This, at least, allows us to hold someone accountable for those inevitable poor recommendations. But what of ‘professional’ book recommenders (writers in publications, not algorithmic ‘recommenders’)?
Laura Miller–author of the book recommendation Slate column, –looks at what she calls the fine art of recommending books.
“You can’t recommend books to strangers without asking personal questions,” [editor of the Paris Review, Lorin Stein] told me. As he pointed out, what we want to read is often pegged to transitory moods. The same book may not thrill the same person at every point in his or her life. “I don’t think people read ‘for’ pleasure, exactly,” he went on. “Of course there is pleasure in reading. But mainly we do it out of need. Because we’re lonely, or confused, or need to laugh, or want some kind of protection or quiet â€” or disturbance, or truth, or whatever.” The recommender must take this into account.
Miller also looks at the book recommending processes of The Morning News’ Biblioracle (John Warner) and “the doyen of all professional book recommenders”, Nancy Pearl.
Pearl suggests that there are four “doorways” that intrigue readers in the books they read: story, characters, setting and language. One or more of these doorways appeal to each type of reader and the task of the recommender is in matching the reader’s doorway preference with a book that delivers exactly that.
Derek Sivers’ book recommendations continue to be some of the most well matched to my own tastes.
Infrequently updated, Derek Sivers’ book list provides a tiny summary of his recent reads, followed by extensive notes he has taken from each: somewhat similar to my current process, now that Amazon’s Kindle has completely transformed my reading and note-taking habits.
In addition to the extensive book list itself, Sivers lists eleven of his top recommendations (some that I would change, others that I’ve heard contradicting views on, but a great starting point nonetheless):
- Understanding the world we live in
- Getting your life under control
- Own your own business?
- Dealing with people
I’ve only recently taken a look at font retailerÂ FontShop’s collection of educational typography ebooks despite having the site bookmarked for months. It’s a wonderful (yet small) collection, currently consisting of these five books:
The online Typographer’s Glossary will no doubt come in handy for many, too. In fact, just click on everything they have under the heading ‘Type Resources’–it’s all great.